Back to canvass and experimentation with texture. I grounded up my Lapis Lazuli from Afghanistan into a fine powder. Then I composed a non objective design onto six canvasses. I used clear stand oil and saturated the work, and spread the Lapis across the surface.
The images randomly appeared with a slightly raised texture. Completely free from the use of a brush the powder collected in abstract forms of soft unhindered clumps. I enjoyed watching the powder melt into the pigment. The almost eerie faces appeared as if the painting was looking back at me.